Lea Bertucci & The Pitch #439
Doors: 19:30 / Start time: 20:00
Entrance: 6-10 € (up to your offer)
Lea Bertucci & The Pitch will present „Against indifference“, a piece written by Lea and developed in collaboration with The Pitch.
Also, The Pitch will perform two compositions
from their recent Release on Granny Records and Lea will perform a solo piece.
Lea Bertucci is an American composer and performer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her instrumental practice, (alto saxophone and bass clarinet), her work often incorporates multi-channel speaker arrays, electroacoustic feedback, extended instrumental technique and tape collage. Deeply experimental, her work is unafraid to subvert musical expectation. Her discography includes a number of solo and collaborative releases on independent labels, including I Dischi Del Barone, Obsolete Units, Telegraph Harp, Clandestine Compositions and NNA Tapes. She has performed extensively across the US and Europe at venues such as The Kitchen, PS1 MoMA, The Drawing Center, Anthology Film Archives, Abrons Arts, The Walker Museum, Madison Square Park, The Reniassance Society, Chicago, ISSUE Project Room, Pioneer Works, The Queens Museum, Roulette, Artists’ Space, Caramoor, The High Zero Festival, and Experimental Intermedia, among many others. She is a 2016 MacDowell Fellow in composition and a 2015 ISSUE Project Room Artist-in-Residence.
Boris Baltschun, electric pump organ / computer
Koen Nutters, upright bass
Morten J. Olsen, vibraphone / cassette delay
Michael Thieke, clarinet
The Pitch is an ensemble of four Berlin-based creative musicians founded in 2009. With acoustic instruments and minimal live-electronics they collectively compose structures which generate hypnotic melodic movement and deep acoustic textures. Bowed and struck vibraphone tones resonate with bowed bass harmonics, doubled by clarinet and reinforced by organ and sine tones. An intensely focused performance creates an atmosphere where the listeners perception is slowed down to make the smallest sonic details move from background to foreground. The group continually expands into new terrain of musical material and playing styles inspired by fundamental states of matter (and variations thereof) — frozen surfaces, gaseous states, plasmatic fibrils, liquid patterns and molecular motion. Intensely colourful, shifting densities, concentrated, slowly-shifting patterns and fluctuations.