100 Years of Beat: Goat, Talvin Singh/Seb Rochford/Budgie, Ghana Panorama @ Haus der Kulturen der Welt, Berlin [28. April]

100 Years of Beat: Goat, Talvin Singh/Seb Rochford/Budgie, Ghana Panorama


131
28.
April
19:00 - 23:00

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Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10, 10557 Berlin
100 Years of Beat

Sat, Apr 28

Concerts:
7pm: Asia Madani (free admission)
8pm: Goat
9pm: Talvin Singh/Seb Rochford/Budgie
10pm: Ghana Panorama
11pm: dj zhao
Evening ticket: 13€/10€

All day: installations (free admission):
Anke Eckardt, Hanno Leichtmann

Concerts:
Asia Madani
Based in Cairo, the singer and percussionist explores the music of Sudan, her homeland, on the dalooka and the tar frame-drum—from Nubian folk to East African Zar. As a member of the Nile Project collective, she establishes a dialog between musical traditions— from Rwanda to Egypt.

Goat
Goat plays complex rhythmic structures so precisely that they sound programmed—Minimal Techno without electronics. The quartet from Osaka, Japan, disregard the typical Rock music characteristics of their instruments—guitar, bass, drums, and saxophone—emphasizing repetition instead of melody, employing a stoically hammering bass drum and atonal harmonies.

Talvin Singh / Seb Rochford / Budgie
Percussion extravaganza with underground pioneers: Singh’s fusion of tabla and Electronica founded the Asian Underground. Rochford leads the experimental Jazz band Polar Bear and has worked with Brian Eno and Herbie Hancock. Budgie’s legendary drum style— with the Slits and Siouxsie and the Banshees— infused Post-Punk with Reggae and Funk elements.

Ghana Panorama
Ashanti rhythms, Frafra gospel, Highlife, local traditions, and new hybrids: With the Hiplife rapper Flowking Stone and Guy One, a master on the Kologo lute, the Berlin-based drummer and beat researcher, Max Weissenfeldt, has assembled a 16-person supergroup embodying Ghana’s musical diversity.

dj zhao
With a polycultural perspective on rhythm and the fusion of ancient and hyper-modern, the Beijing-born Berliner shares his musical vision of a possible future pluralist egalitarianism.

Installations:
Anke Eckardt: Vinylheads (2018)
The audible, walk-in sculptures Vinylheads from Anke Eckardt are connected by a sample of the Amen Break.

Hanno Leichtmann: Skin, Wood, Traps (2018)
For Skin, Wood, Traps, Hanno Leichtmann assembles drum and percussion loops from inspiring drummers to create a 4-channel sound installation

More information: hkw.de/de/en/beat
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