Live in concert
Ah Cama-Sotz (HANDS, ant-zen)
▣ Tribal Ambient – Oriental Lounge – Beats & Breaks – Chill ‘n’ Rhythm – Ritual – Dark Ambient – Industrial/techno.
During his career Ah Cama-Sotz has carved a niche for himself as one of the darkest industrial acts around. His music is steeped in a multitude of mythology, occultism and bloody history, which lend a context and significance to the individual works that is noticeably absent from a lot of contemporary industrial / noise music. The past 25 years (1993 – present) have seen the Ah Cama-Sotz sound progress from cold, minimalist electronics through to dark ambient soundscapes and pounding techno floor-fillers.
Herman’s boyhood infatuation of classical music has prominantly formed the foundation of his present musicality. He didn’t want to remain a passive onlooker and aspired to formulate his individual sound, by mean of acquiring synths and samplers. His objective was to combine his musical passion and esoteric ideology which resulted in an obscure and macabre but rhythmic and atmospherically sound. This project required an appropriate moniker, which could integrate and mirror all those constituents.
When wandering in Mexico he uncovered local mythology and found his alter ego: Ah Cama-Sotz, named after a giant bat which used his extremely elongated sharp claws to decapitate his victims. When listening to Ah Cama-Sotz recordings you will ascertain his mephystological values interpolated with rhythmical-ritual ambience and accentuated with industrial vibes.
Ah Cama-Sotz will transport your subconscious in a mythical universe where his alter ego haunts the night and proliferates anxiety amidst every living creature.
Ah Cama-Sotz music reflects the epitome of mankind’s mis(t)ery and (in)humanity.
YURA YURA (HANDS)
▣ Dark Tribal, Noise, Rhythmic Noise, Industrial
Before YURA YURA Grégory Mousselle (from Dijon, France) played guitar and bass in cold wave and post-punk bands.
His electronic music project was born in 2009.
In 2013 YURA YURA signed to the label Hands Productions with a debut album called «Be sexual».
The french project plays a minimal and repetitive industrial music composed of bouncy/catchy rhythms and haunting/abrasive atmospheres. The music has direct roots to the old school tribal and industrial scene.
He played at many important festivals like Wave Gothic Treffen, Maschinenfest, Noxious Art Festival, Schlagstrom and Forms of Hands.
+ dj sets: Pánica crew
No Boundaries, no Prejudices, no Colours, Thee Unhknown World ov the Dead, Thee Aeternal Life, Full of Lustt and Pain.
Covering the Orient, the Middle-East, Western culture, the Unknown and the Unspoken.
The endless tunnel and staircase relating to the infinite way of traveling towards one's state of mind.
Venue: ACUD MACHT NEU
Berlin (U8 Rosenthaler Platz)
Pánica refers to the Panic Movement, a collective formed by Alejandro Jodorowsky and his fellows, Roland Topor and Fernando Arrabal. Their ambition was to critique the pure reason, going insane, facing the audience’s passivity, attacking them with a barrage of radical, iconoclastic, rhythmic stimuli, to show another perspective is still possible.
Pánica has the aim to convert years of experience in a new open-minded entity.