ZONE Collective Present: Giant Swan, Ridler, LAF Tebano, Kleft + @ OHM Berlin, Berlin [1. Februar]

ZONE Collective Present: Giant Swan, Ridler, LAF Tebano, Kleft +

22:00 - 03:00

OHM Berlin
Köpenicker Str. 70, 10179 Berlin
ZONE collective is a music and arts collective based in Berlin, Copenhagen and Glasgow.
It specialises in experimental futurist punk and noir acid pop.
This is there first party in Berlin.

Giant Swan

Currently docking in Bristol, UK, is the brainchild of Robin Stewart & Harry Wright; Giant Swan have steadily spread their wings across the UK and Europe, sharing stages with the likes of Surgeon, Vessel, Shackleton, Venetian Snares and Container. Across a table of machines and pedals, incorporating abused guitar and liberal vocal manipulation, Giant Swan create a cross-breed of hypnotic bass, industrial percussion and disorientating energy delivered with telepathic intricacy.


RIDLER is a non-trad proto acid punk project, one part dank 80’s
industrial, one part rave dungeon with the strobes left on, strutting / soured vox with lyrics concerning themselves with 50 year olds being kicked out of Berghien, Hawaiian shirts,
orchestrating an all female robbery and telekinesis.

LAF Tebano (Lorenzo Tebano)

LAF Tebano is one half of the artist duo Mette Hammer Juhl and Lorenzo Tebano who live and work in Copenhagen. As a musician and performer LAF Tebano is creating agro electronic, futurist punk. LAF Tebano’s music is dotted with hooks and dry vocals that bind together the spluttering blasts of haunted distortion heavy samples.


Kleft is an alias of Vickie McDonald, a Glasgow based audio and visual artist. They are involved in the cities noise and punk scene as well as being involved with the Zone Collective, as both Kleft and in collaboration with Ridler as Mourn.
Kleft is a bass influenced, electronic and experimental techno project, with a fascination for flesh, the body and transhumanism. New record ‘H+ Sexualis” forthcoming on Domestic Exile.


smog focuses on the phenomenon of experimentation using electroacoustic methods combined with digital and analogue processing. His approach takes roots in a diversity of styles such as: techno, industrial, percussion based music as well as ambient where ethereal soundscapes navigate between distorted metallic noise and flittering overtones.
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