Untraining The Ear | #1 Listening Session with Tara Transitory @ SAVVY Contemporary, Berlin [13. Oktober]

Untraining The Ear | #1 Listening Session with Tara Transitory


418
13.
Oktober
19:00

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SAVVY Contemporary
Plantagenstraße 31, 13347 Berlin
LISTENING SESSIONS
UNTRAINING THE EAR: N°1 with Tara Transitory aka One Man Nation
A project by SAVVY Contemporary, Deutschlandfunk Kultur and CTM Festival 2017-2018

October 13, 2017 | 7 PM
Entrance Fee: 6 EUR
Entrance at Gerichtstraße 35 | 13347 Berlin

«It is a herald, for change is inscribed in noise faster than it transforms society… Listening to music is listening to all noise, realizing that its appropriation and control is a reflection of power, that is essentially political.» — Jacques Attali, Noise: The Political Economy of Music, 1985.

With the UNTRAINING THE EAR LISTENING SESSIONS we propose exercises to decipher sound beyond its contextual affiliation of geography, genre, and valences of identity. It is an attempt to press II [pause] to the daily storm of sonic vibrations, and voice a call to examine and explore the auditory beyond the hearing and start to LISTEN.

In this new series of of sonic encounters, each session will involve a curated auditory experience which suggests a voyage into a specific mode of listening proposed by an artist. Artists will to take part of SAVVY’s sonic exploration and understanding of sound based exercise-performance and an allegorical conversation appertaining to the theme of choice. Collectively, in order to understand, to question and possibly contextualize how we listen to the world today we (the space, the performers, the moderators and the audience) will sonically and rhetorically navigate through the proposed theme(s) to hear beyond our ears, and to hear canons found in sound.

Each session will be a conscious inquiry into the process of listening, an inquiry into how our listening is shaped, constructed or altered through filters of society, politics, economics, cultures and narratives. The sessions become a collective exercise in which, through a discussion and a performance, we ask the artists, moderators, listeners, and ourselves — as an art space — to (un)train and (re)train, (de)construct and (re)construct the process of normative hearing and give space for non-normative listening.

The unfolding process of the series will allow us to navigate through, explore within — and reflect on various topics. We will touch upon the re-representation of the marginalized and suppressed sounds, voices and noises. We will champion her and their stories by amplifying nonlinear and non-binary sounds and noises. We will question and challenge the power and politics of sound technologies, production aesthetics and the precepts/presets within the global narratives. The sessions will allow us to re-represent and re-position musics from the world.

For the first session of our new series UNTRAINING THE EAR we have invited Tara Transitory aka One Man Nation. Tara Transitory creates spatial and bodily sonic relationships with the listeners to enable listening through various bodies: the self, space, machines, movement, the collective body and the ultimate body of reverie.

She works with sounds to create various physical and material states of trance within and without the process of embodied listening. Through the process of arriving at and of being in, till falling out of a trance, the sounds of the various bodies may intersect. Thus they become one common body, a common body as a resonant space. In that sense, a singular body consisting of all forms of bodies becomes nodes of ethereal sources that Tara Transitory annexes to her own performance practice. With Tara Transitory we enter SAVVY Contemporary with an understanding of individual bodies and their singularities — specifically their singular (sound) identities — however, through experiencing the performance we become communitas.

Tara Transitory aka One Man Nation transforms research on gender+noise+ritual, into experiences that straddle the boundaries of art, music, and performance. Her act is of a shape-shifting nature, morphing between interventionist, performative and ritualistic/trance-like practices, defying any form of characterization under an umbrella of genre or label.

WARNING: Strobe lights are used during this performance which might trigger seizures for people with epilepsy.

PRESENTED BY SAVVY Contemporary, Deutschlandfunk Kultur and CTM Festival
CURATION Kamila Metwaly
CO-CURATION Marcus Gammel and Jan Rohlf
PRODUCTION Abhishek Nilamber and Beya Othmani
COMMUNICATION Jasmina Al-Qaisi, Anna Jäger and Elsa Westreicher
RESEARCH ASSISTANCE Gwen Mitchell
SUPPORTED BY Musicboard Berlin
MEDIA PARTNER Norient Sounds
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